Essay of dramatick poesie

The chief device of ancient Hebrew Biblical poetry , including many of the psalms , was parallelism , a rhetorical structure in which successive lines reflected each other in grammatical structure, sound structure, notional content, or all three. Parallelism lent itself to antiphonal or call-and-response performance, which could also be reinforced by intonation . Thus, Biblical poetry relies much less on metrical feet to create rhythm, but instead creates rhythm based on much larger sound units of lines, phrases and sentences. [40] Some classical poetry forms, such as Venpa of the Tamil language , had rigid grammars (to the point that they could be expressed as a context-free grammar ) which ensured a rhythm. [41] In Chinese poetry , tones as well as stresses create rhythm. Classical Chinese poetics identifies four tones : the level tone, rising tone, departing tone, and entering tone . [42]

Ovid’s theme is the transforming power of passion over gods and mortals. These transformations, or metamorphoses, are not sweetly romantic; they are dramatic, terrible and irrevocable. They can represent divine punishment, as when Diana turns Actaeon into a stag; they can provide escape, as when Daphne turns into a laurel tree to flee Apollo’s advances. Through these bodily transformations, the universe is portrayed as a place of continual turbulence. Yet the ultimate shape-shifter is the poem itself. In Ovid’s sinuous and witty narrative, each story flows seamlessly into the next, in a structure that still feels revolutionary.

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Essay of dramatick poesie

essay of dramatick poesie

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