Capitalism dead essay

The first configuration is what I came to call the Vampires’ Castle. The Vampires’ Castle specialises in propagating guilt. It is driven by a priest’s desire to excommunicate and condemn, an academic-pedant’s desire to be the first to be seen to spot a mistake, and a hipster’s desire to be one of the in-crowd. The danger in attacking the Vampires’ Castle is that it can look as if – and it will do everything it can to reinforce this thought – that one is also attacking the struggles against racism, sexism, heterosexism. But, far from being the only legitimate expression of such struggles, the Vampires’ Castle is best understood as a bourgeois-liberal perversion and appropriation of the energy of these movements. The Vampires’ Castle was born the moment when the struggle not to be defined by identitarian categories became the quest to have ‘identities’ recognised by a bourgeois big Other.

We sought pleasure in our youth so we provided for every possible pleasure for our children. Every need met, even pills for emotional needs. Feel bad? Here’s a pill. Feel sad? Here’s a pill. Feel mad? Here’s a pill. We didn’t teach them a particular “right” religion (just seek spiritual experiences that feel good), or moral code (situational ethics, just go with what feels right)) or political stance (Politics. Pssht.) or occupation (let’s just watch .) or health (fast food, it’s easy) or education (no grades, that ranks people, they’d feel bad; whatever you think is fine, everybody’s ideas get equal importance)…

Capitalism dead essay

capitalism dead essay

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